![]() ![]() And this is exactly what these diagrams can help you with. ![]() That is only possible if you are aware of what relative degree you are playing and what effect each of its intervals has to the underlying harmony. Pro tip: One of the great benefits of being mindful of intervals as you play is that instead of hitting random notes that are simply "within" the scale you target specific tones of the scale (or chord) at a specific time that add a certain color (or flavor) to your playing, e.g. ![]() So for our G-Minor example the next shape towards the guitar's bridge would be the D-shape, and the previous shape towards the guitar's nut would be the G-shape. The order of CAGED patterns never changes, and it's the same as the CAGED-word is spelled. For example, to get CAGED patterns for the G-Minor scale you just need to align the E-shape's (pattern 1) root tone on the 3rd fret of the lowest 6th string (you can also align the G-shape with the 3rd fret of the 6th string, but then you'll have to play the pattern with open strings-not that you have to avoid it, but I'm just saying). The patterns will be identical for all minor keys. Visualizing the 5 chords enables you to play scales in various positions, tie those positions together, move from position to position, and much more. Tip: Since these diagrams have intervals instead of specific note names you can view these charts as a recipe for any minor scale, not just A-Minor. These adjacent blank placeholders are given less emphasis on purpose-they should not distract you from the main pattern you are focusing on, but should you wish to temporarily visit (or peek into) a neighbouring pattern, then you can do that! You can also think of them as a guide of where you are and where you can go. This is basically a tool to break free from being stuck within one CAGED "box" shape. For example, you can occasionally "borrow" notes from the neighbouring CAGED pattern for a brief moment and then get back to the pattern you started with. You can use variation with blank circles and squares to get yourself prepared for switching between the CAGED patterns on the fly. Root tones have a stronger visual emphasis to provide soloing landmarks and a better overview of the shape's primary "anchor points" to help you memorize and internalize all 5 patterns. One of the diagrams features blank circles and squares-they represent notes from adjacent CAGED patterns. If, however, you want to get the same diagrams but with note names instead of generic intervals then check out CAGED patterns for the A-Minor scale with note names. Squares represent scale root notes (tonic). The characters inside the circles and squares represent intervals (scale degrees relative to the major scale). They are also aligned with the notes of the A-Minor scale in particular. Each of the 5 shapes will produce a full A-Minor scale when you play it from root note till any other root note.įretboard diagrams are stacked and aligned horizontally to show you where the CAGED patterns line up. These are printable charts to help you learn the CAGED system for the Minor scale for guitar. ![]()
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